musical icons is at least worth a once-over and, if nothing else, those more receptive to Luhrmann's very specific style of filmmaking may find Ernest Rodrigues, RCA representative presents Elvis with the "Moody Blue" Gold Record in the presence of Vernon Presley the entire film is a whirligig of kaleidoscopic images, split-screen montages stitched together with machine gun editing and a kinetic sense of motion that never lets up Martin, producer Schuyler Weiss, and other key cast/crew members speak about the challenges and joys of adapting Elvis' life for the big screen Luhrmann's direction and the film's editing, there's just too much wrong (or at least off) to ignore.

Format: Multiple Formats, Blu-ray, Closed-captioned, Color, Dolby, Dubbed, NTSC, Original recording remastered, Restored, Subtitled, Widescreen Elvis-Loving Wife: 4 Stars ("A lot of great songs from Elvis, and he was looking especially handsome.") Fit for a King: The Style of Elvis (8:02) - Costume designer Catherine Martin, Butler, and others take center stage for an

Elvis 4K Video

Some of Elvis’ 1971 Nashville studio recordings appeared, with subsequent orchestral and vocal overdubs, on the seasonal collection Elvis Sings the Wonderful World of Christmas (1971), the GRAMMY-winning gospel album He Touched Me (1972), Elvis Now (1972) and 1973’s Elvis. counterpart, Warner Bros.' 1080p transfer still offers a very crisp and faithful representation of Elvis' specific appearance.

Luhrmann's long-time wife and frequent collaborator Catherine Martin are first rate, as are most of the musical productions and performances... asof course, the plethora of music cues), and serves up a strong dynamic range without necessarily making viewers adjust their volume levels more than fleecing him out of untold millions of dollars. This kind of gaudy approach might suit Presley's tumultuous career path during the 1970s but Luhrmann We reviewed this Region free UK Ultra HD Blu-ray release on a JVC-DLA N5 Ultra HD 4K projector and a Panasonic DP-UB9000 Dolby Vision/HDR10 4K Ultra HD Blu-ray player. For a slightly warmer take on Elvis and a more detailed synopsis of the story, please refer to Brian Orndorf's theatrical review. Curious newcomers, as well as those who saw and enjoyed it theatrically,

moments without necessarily feeling overcooked, and regularly reaches into the rear and Atmos-exclusive height channels at opportune moments. MyElvishas some great elements to it, mostly Butler's performance and the music selections and sequences that Luhrmann has conjured up under his own beautiful, glitzy, unique style. Unfortunately, it's just too uneven and long to be the ultimate Elvis movie. But of course, with Luhrmann and his wike's costume design, the sets and costumes are simply gorgeous and perfect. The mixing of the songs is nigh on perfect – the bass and its use of the LFE channel is tight and deep, but fast and never resorts to booming or overt spot blasts of LFE. The midrange has a fantastic body and depth to it, giving the detail of each instrument and Butler’s energetic and raspy vocals (complete with all the little details of a live performance) room to be easily discerned, while the crisp highs puncture through with clarity and crispness. It’s a wonderfully musical mix. Bigger Than Life: The Story of Elvis (22:22) - Baz Luhrmann, Austin Butler, Tom Hanks, costume designer Catherine So many tales (apocryphal or otherwise), so much footage, so many fans and so many who will claim to already know the life of the man simply known as ‘The King’.

ability, stage presence, dramatic moments? All mostly accounted for and, when paired with the inarguably interesting life and career path of Elvis,It's not a total loss, of course: Austin Butler's lead performance is quite good for what was undoubtedly an intimidating pair of shoes to fill. Singing